Traces of the Trade: A Story From the Deep North

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The Tracing Center is pleased to announce that our founding executive director, Katrina Browne, has taken on a new role as our director of ideas and external affairs. This shift will allow her to dedicate her time to public activities, content development, and other work on behalf of the organization. The board of directors has hired James Perry to be our new executive director. James was the founding board chair and president of the Tracing Center and has been centrally involved, sincewith Traces of the Trade, for which he shared an Emmy nomination.

In April, our executive director, Katrina Browne, was invited to Bermuda to screen Traces of the Trade and to facilitate dialogues on the history and legacy of slavery and the slave trade. Our visit to the country was sponsored by the U. It was an incredible chance to test again, after going to Cuba, how the Spanish-subtitled version of the film does or does not resonate for people in former Spanish colonies that were built on a slave-based economy.

Our executive director, Katrina Browne, and consultant Juanita Brown are in the Dominican Republic this week at the invitation of the U.

Katrina Browne is the director and producer of the documentary, and Juanita Brown is a co-producer. I had the amazing opportunity to be part of a working group conference, Defining New Approaches for Teaching the Transatlantic Slave Trade traces of the trade by katrina browne Slavery: We were applying ourselves to the question: And in the face of those multi-generational consequences, what are the implications for how we teach about slavery and African civilization in schools.

At the Tracing Center, we have heard again and again from African-American adults about intensely negative, even traumatic, experiences of being taught about slavery in middle school and high school. The common refrain is traces of the trade by katrina browne who did traces of the trade by katrina browne have the sensitivity and knowledge to teach this loaded history in a way that was empowering and provided dignity.

This is a key moment when students will either be set up for rifts and divisions based on heritage, or it can be a golden opportunity to set them up for incredible grace and understanding and sense of common cause in the work of building a society that works for everyone.

Our teacher workshops this fall in Rhode Island and for Christian educators via Calvin College in Michigan, were a chance to refine and share our pedagogical models for creating positive results. The workshop in Toronto, with reports of how text books in Central America portray traces of the trade by katrina browne, to how the Taubira law in France is impacting the teaching of slavery, to how U.

The three of us that went were James Perry cousin in film and our director of researchTulaine Marshall lead consultant for our multi-country partnership with the Amistadand myself.

Given the linkages in the two histories, it was very meaningful to be partnered with the replica ship: As readers who have seen the film can imagine, it was a big deal to be able to finally return to Cuba to show the documentary for the first time. I was nervous because during our final editing process, editor Alla Kovgan and I decided to take out two scenes in Cuba, with Cubans.

So I was nervous traces of the trade by katrina browne Cubans would be offended that the time in Cuba in the film was so focused on our family and what we were going through.

To all of our relief, the standing-room only audience at our screening was deeply moved and appreciative, including gracious scholars we had interviewed: Natalia Bolivar and Zoila Lapique. We heard from attendees that, while the communist government officially abolished racial discrimination after the revolution, issues of racism and privilege have lingered in Cuban society as they have elsewhere in the world.

So they were eager to see Traces used as a resource for raising these issues because of the many parallels they saw in the film. The means for doing that are now being explored. Hats off to Boris Ivan Crespo and other members of the Cuban film crew who enabled us to have such great filming in and who were able to come to the premiere to be appreciated for their handiwork.

Another great breakthrough came when we were invited to speak to staff at the Cuban National Archives. There are several researchers there who specialize in the slave trade, and they have been disappointed that so many scholarly works on the slave trade do not involve research in Cuban archives, despite the centrality of Cuba to the slave traces of the trade by katrina browne and the Atlantic slave economy.

Because the DeWolfs were so prominent in the illegal slave trade between the U. The AP wrote a story on that search. My thanks to the all the Amistad team, the Cuban and U. This new campaign explores the unfinished business of civil war and civil rights. Interpreting Slavery at Traces of the trade by katrina browne and Historic Sites offers best practices based on our public history workshops and consultations.

Learn about our public history programs. Race and Ethnicity Tags: News and Announcements Tags: BermudaKatrina BrowneTraces of the TradeTracing Center In April, our executive director, Katrina Browne, was invited to Bermuda to screen Traces of the Trade and to facilitate dialogues on the history and legacy of slavery and the slave trade.

Best Practices in Teaching Slavery:

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For more information about these programs, or to request someone for a screening, dialogue, or other event, please contact the Tracing Center at. Glenn Loury Merton P. The following are DeWolf family members and others who appear in the film. Previously she was a senior staffperson at Public Allies, an AmeriCorps program operating in twenty-one cities that she co-founded in She has an M.

For a longer bio click here. In , Keila and her husband, Jerry, led a group of 20 students to South Africa for a month. Tom speaks at colleges, conferences, and other venues throughout the United States about hidden elements of history, racism and intolerance, and illuminates a path toward healing and a more hopeful future. Tom and his wife, Lindi, have four grown children and six grandchildren. For further information, visit his website. She gives talks and facilitates discussions as outreach for Traces of the Trade, often with her husband, Bill.

Environmental Protection Agency on Superfund cleanup projects. Elly has a passion for music of all kinds. Ledlie and his wife, Roxana, have three grown children and seven grandchildren. While Ledlie was Dean of the Cathedral in Newark, he helped bring about the merger of a small, white cathedral congregation with a large black middle class congregation. Dain Perry Dain participated in the documentary along with his brother, Jim, and nephew, James see below. He grew up in Charleston, South Carolina.

During the s, he worked for a non-profit agency that promoted reform in the criminal justice system, particularly prison reform. Dain has been a member of his church vestry and has been an active volunteer in his community for many years, including serving on the boards of several nonprofit organizations. Dain and his wife see below travel extensively doing screenings of the film at Episcopal parishes. James attended law school at Columbia University and his graduate work at Harvard has focused on international institutions and the evolution of international norms, including the transatlantic slave trade and its abolition.

In his career, Jim served as a Foreign Service Officer in Vietnam, Belgium, and Laos , as a manager for several non-profit organizations, and then as a management consultant. Jim was the executive director of the Big Brother Association of Boston when the association shifted to recruiting large numbers of African-American men as big brothers. Elizabeth Sturges Llerena Elizabeth creates art to raise awareness about the present-day impacts of the legacy of slavery and white privilege.

Her recent work grows from her experiences over the past fifteen years of teaching in public schools as well as her participation in Traces of the Trade. Juanita works with educational institutions to explore challenging issues such as cultural competence and global citizenship.

She also consults nonprofit and governmental organizations in strategic meeting design and facilitation, and organizational development. For longer bio, please click here. Harold Fields Harold facilitates a monthly city-wide racial dialogue that has lasted for ten years. He participated in the documentary because of his connections with two family members, Holly and Keila. He is active in restorative justice and racial reconciliation projects across the nation.

He has over 30 years of systems development experience with IBM and the airline industry. Shirley Dunn Perry Shirley is a registered nurse, poet and workshop facilitator. She volunteers with a local cancer center, teaching writing workshops and leading a cancer support group. She and her husband, Jim Perry, promote the documentary to encourage dialog about race. Peebles Bill Bill is retired from a career as a psychotherapist and a pastor.

He is a Spiritual Director for those on a spiritual path, particularly men. He and his wife, Holly Fulton, are available to facilitate discussions of the film. Perry Constance is a self-employed national consultant, working in economically disadvantaged communities specializing in workforce and community development, and is a skilled trainer and facilitator.

She is an active member of the Episcopal Church and sits on a number of diocesan committees. Although born and raised in Boston, Constance is a descendant of slaves in North Carolina.

She and her husband, Dain Perry, work together as a team to bring the film to Episcopal congregations and dioceses, as well as to schools.