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One would expect a lurid title like Strip Nude for Your Killer to deliver a string of non-stop sleazy action. The director actually ends the film with the sleuth photographers rejoicing in bed — until Carlo threatens to sodomize Magda. Dubbing also seems to do its finest butcher job here, adding further unintentional hilarity to scenes. Apart from the frank, wink-worthy sexuality, the eerily-lit opening of an uncomfortable abortion-turned-murder scene vaguely reminiscent of the phantasmagorical nightmare flashbacks in All the Colors of the Dark — which for the first few seconds jarringly plays out like some kind of erotic hallucination — weaves a small and curious thread of thorny subtext.
The two meet in an ouroboros of darkly comedic bookends, ripped inside out. Awesome neighborhood porch kitty I walk by lots. A wicked whodunit set in a fashion house, superficial glamour veils the tawdry dissolution of its inhabitants.
Note that the others with wicker forms look more like corporeal cages than human twins. The story that follows cements the notion of women as murderous props; ciphers of attraction and repulsion on which the narrative lingers, but can always afford to discard. Thematically, the death and puppetry of the feminine self, the sexualized edge of fear, impenetrable appearances, and a bevy of romantic delusions potently recall Vertigo. Blood and Black Lace is a masterful blend of grandiose artistic perfection and thrilling intensity.
The good people of Rewind This! They were relentless cut-and-paste jobs that combined scenes from unrelated films into a dense fabric of digressions, flashbacks, minor-character subplots that go on at baffling length and — of course — demonstrations of pole-spinning, star-hurling prowess. They are head-scratching meta-constructions of the Global Mind circa and we love them. Visit yonder donation page to spread the wealth.
Dusan Jaukovic photographed the latest collection for Morfium — a mythologically-minded couture label blending high fashion, cutting-edge design, and art concepts. These are total goddess material. Horror Porn Parodies from Hell: What Have They Done to Giallo?
Cicada tucked inside plastic, amber medical container found inside an abandoned hospital in Philadelphia. My Miami pics suffered from inebriated shaky syndrome — and shaky pools and beaches are kind of boring sorry for failing you.
Just avoid this grade-Z atrocity at all costs. Audiences seem alternately enamored of its charms, or emphatically appalled. Sledgehammer is available on DVD. An acting student is accepted into a mysterious school known for their unorthodox methods. Shock Till You Drop ]. The installation will present inanimate objects in a state of flux, or animation, signifying the temporary states that material can assume. Acclaimed environmental fashion designer and runway producer Alexandre de Betak, founder of Bureau Betak and a longtime collaborator of the Mulleavys, will contribute a dynamic exhibition design, including kinetic displays, dramatic lighting, and other theatrical elements.
Associate Curator, Rebecca Morse: Their inherent narrative qualities will be revealed. Other idiosyncratic influences include local landscapes, Japanese horror films, Boris Karloff as Frankenstein, and the work of Gordon Matta Clark. You can learn more about the film and watch the nine-minute video over here. Dev was kind enough to speak with me a little bit more about his process, what draws him to explore the dark side of these fabled fantasies, and his thoughts on the horror genre.
I trained as an actor but always had the intention to write and direct, to evoke a story through a canvass, albeit film or theatre.
Drama Centre enriched me with the knowledge of how to approach a text, play or film script, and how to dissect it through character analysis, through a performance perspective. This was vital in my development as a director and possibly the best form of training ever. I used my own initiative of just making short films as the development of my technical abilities for shooting film.
Who are your favorite directors, or what are your favorite films? What upcoming films are you looking most forward to? Your work is loaded with gorgeous, ethereal images. Tell us a bit about your process, what you use to shoot with, and what your inspirations are.
Having trained primarily in theatre I initially found that vast difference in the transition from play writing to script writing as theatre depends vastly on the exploration of text through character. Cinema is more about silent moments and watching the characters through them. So when it came to initially making the short films I choose to strictly tell the stories through silent cinema, to evoke a story through silent images with music and sound acting as a subconscious narrative of sorts.
Fairy tale based stories have an organic quality about them and so does the film format as opposed to the perfect, crisp quality of digital.
I grew up on comic books and graphic novels so all my work contains a highly detailed artistic foundation. When approaching Red Kingdom Rising there were many graphic novels and art forms I turned to and indeed the Tenniel illustrations were inspirational.
The irony is that if you distil those three down to their true essence you have coming of age stories — the path and destiny of the hero. This lies in the core of the fairy tale. Fairy tales have always evoked a sense of truth of who we are and how we journey through our own psychosis and development in life. The analytical works of Joseph Campbell and Bruno Bettelheim firmly illustrate that. It tells the coming of age journey of a woman coming to terms with her past through this dark journey in her wonderland.
Do you work in the short film format to intentionally match the stories, or is it just a preferred way of working?
Do you have any plans for a feature length film in the future? My short films were mainly built to develop my technical abilities in how to aesthetically tell fairy tale stories in an entertaining way, but yes, they do match the structure and short time frame format of the generic fairy tale.
I wanted to fully explore the protagonist Mary Ann, along with her fears and her eventual epic sense of closure. I would be grateful to have the opportunity to continue with the feature length format and I do indeed have another story to tell. For you, what makes a horror film truly effective? The reason Red Kingdom Rising falls within the horror genre is entirely due to its story — I wanted to fully immerse the audience into a sincerely horrific experience. And what is truly horrific is always something factual, like the untold horrible things people can do to one another, such as the parental betrayal in child abuse.
Mary Ann in Red Kingdom Rising is an adult survivor of child abuse and she has to relive those memories in order to let go of her guilt. I could have chosen to tell the story like a fly on the wall type of film where we watch it all unfold in a real time sense, or in a way like the film Precious. Psychological and emotional truth in turmoil always makes a horror film effective which is seen brilliantly in The Exorcist and The Shining. Horror films have kind of lost that touch and fallen too prone to genre based storytelling.
Official website coming soon. You can study it. I remember somebody reciting a Dylan Thomas poem to me and it was something like: Food is the most nurturing thing in the world, so why do we have to connect being sanitary when we have such a beautiful, artistic thing like food? I had it for a very short time when I was a kid, and I really liked it. I remember there was a little soda fountain place in New York, and he was always playing Fats Domino, and these songs on the jukebox that were so comforting.
They were part of the era. She speaks out during a public execution and is accused of witchcraft by the Grand Inquisitor himself. The actor spends 97 minutes mostly shrouded in dark robes. His slender hands wave hypnotically through the air, as though he were conducting some kind of silent, demonic orchestra.
This was a role that the dedicated actor was unable to shake for a long time, and the book delves into several fascinating details of the production. The Oliver Reed story is aces — he plays an alcoholic Cardinal in the film.
Henriksen fans will be able to appreciate the actor playing a different kind of baddie — one who pierces our hearts with his glowering stare, not bullets. The word vampire is never mentioned, and there are no capes, fangs, or other theatrics — though its killers luxuriate in the spectacle of their bloodshed see: Here, the undead are like junkies out for a fix.
She tries to resist his advances mostly , but eventually sinks her teeth into his neck. The two become star-crossed lovers as Caleb refuses to make a kill and appease the leader of the pack, Jesse Lance Henriksen. Henriksen and Paxton had just come off the commercial success of Aliens — joined by fellow co-star Jenette Goldstein — and their energy is magnetic.
Before Twilight ushered in an era of foppish, undead teenage love stories, Near Dark was the wild, older sibling whose make out sessions in the cabs of trucks were covered in beer, ash, and blood. Near Dark is available on Blu-ray. The film is everything you imagine it would be. Woo flashes his signature slow-mos, and over-the top violence — though, they did cut the hell out of this film, so find the unreleased, minutes longer version if you can.
Fouchon runs a racket aimed at the bored, millionaire jet set. The thrill-seekers pay a pretty penny to literally hunt humans for sport, and kill them. His scene with a rattlesnake is not to be missed.
The action hero also appears to be able to telepathically communicate with pigeons. Good whiskey make jackrabbit slap de bear! The actor has never shied away from a challenge — including being set on fire for the film … twice. For those of you who have subscribed to the urban legend that this scene was an accident, check out the below video of a behind-the-scenes peek at the moment in question.
Still, Woo creates a palpably gritty atmosphere with fast-paced, bone-crunching action that is a veritable playground for a fiend like Fouchon. Hard Target is available on DVD. Check out other entries in the Lance Henriksen Blogathon over here.
Everyone was invited to contribute their thoughts on the actor, which Muir will be posting on his blog throughout the week. Almost a year and a half ago, I had the opportunity to speak with Lance for the first time about his career. I was writing for a horror blog called Screamstress at the time — one of my first writing jobs, actually — and saying that I was nervous and excited is a serious understatement.