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Thirty years into one of the most storied careers in popular music, Emily Saliers decided to record her debut album. Murmuration Nation answers those questions both passionately and profoundly. In this "post-fact" era in which we find ourselves living today, Saliers' fearless voice and insightful perspective feel more vital and relevant than ever before. The songs also reveal a new side of Saliers' artistry, one that even her most ardent fans might not expect to hear.
I hope that this record can take people who think they know me already on a journey that'll really surprise them. While Indigo Girls is still very much alive and well, Murmuration Nation is Saliers' first release under her own name, and it's a surprising journey indeed.
The record brims over with life and energy, blurring both musical and geographical boundaries as Saliers breaks down barriers with a bold and infectious spirit of adventure. That's the music that really stirred my spirit and made my body want to move. I found myself loving music from West Africa and South America for the same reasons. I think of it all as 'body music. It was folk music, however, that first brought Saliers to national prominence.
Indigo Girls released their breakout self-titled album in , and in the ensuing decades, racked up a slew of Gold and Platinum records, took home a coveted GRAMMY Award, and earned the respect of high profile peers-turned-collaborators from Michael Stipe to Joan Baez.
NPR's Mountain Stage called the band "one of the finest folk duos of all time," while Rolling Stone said they "personify what happens when two distinct sensibilities, voices, and worldviews come together to create something transcendently its own," and The New York Times raved that "gleeful profanities, righteous protest anthems and impeccable folk songwriting have carried this duo for thirty years. Throughout her rise to stardom, she toyed with the idea of recording a solo album that combined her love of folk storytelling with her passion for the grooves and beats of that "body music" she'd always been so innately drawn to.
When she met Juilliard-trained violinist Lyris Hung, now a frequent Indigo Girls collaborator, Saliers found that her dream no longer seemed that far fetched. I got so excited when I heard her productions. I asked her, 'Would you please produce the solo album I've been talking about for decades? Album opener "Spider," for instance, brings together hints of heavy metal and Native American a capella music as Saliers weaves an arachno-centric metaphor for geopolitical trickery, while Spanish guitar gives way to orchestral strings and an electronic beat on the slithering "Serpent Love," and the elegant "Fly" draws on avian inspiration for its message of community and cooperation.
From Black Lives Matter to the Women's March to Standing Rock, there are all these grassroots movements starting to coalesce, and I take great comfort in the way people are instinctually moving together to fight injustice and hate. In much the same way, Saliers' songwriting and Hung's production reach across divides to a broad and diverse audience.
Though the musical setting may be different, Indigo Girls fans who have grown up with Saliers will recognize her trademark passion and perception, while younger listeners unfamiliar with her illustrious back catalog will discover in this record a voice of great clarity and understanding that speaks to these unique and troubling times.
By drawing on her love of so many cultures and her insatiable appetite for great songwriting, regardless of genre or era, Saliers has crafted an album that is at once classic and modern, timeless and daring. On songs like "Train Inside" and "Long Haul," she leans on her vintage country and folk roots, while "Poethearted" and "Slow Down Day Friend" showcase her love of the ukulele which replaces the acoustic guitar she's so traditionally identified with here , and "Match" and "Sad One" offer beautiful, bittersweet perspectives on the highs and lows of love.
That mix is important to me because it's like the ebb-and-flow, peak-and-valley journey of life. I think this record is very reflective of my personality. I need fast and I need slow; I need grooves and I need a little bit of edge. In the end, it all comes down to balance: The album showcases a side of Saliers that few knew she carried within her, but one that burns as bright today as it did when she was just a youngster discovering the wide world of music around her.
Thirty years is a long wait for a debut, but with Murmuration Nation, it feels like Emily Saliers is right on time. Now Warren is gearing up for her second run in a year with the Indigo Girls and will be releasing a Deluxe edition of War Surplus September 1st.
Check out the tour dates and more info on Becky's record below. Becky Warren's album War Surplus is a classic whiskey-soaked, honky-tonk, girl-meets-boy story in 12 songs. Except this story is girl meets boy, boy deploys, boy comes home with PTSD which, soaked in whiskey, tears apart their marriage, which is also something of a classic in the veterans community. Emily Saliers From the Indigo Girls -- on solo tour! With guest Becky Warren. Listen to OK Corral from Murmuration Nation "It was so freeing to pursue the kind of music I truly wanted to make without regard to what I'd done before or who I'm expected to be," says Saliers.
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